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October
to
November

September brings a moment of reflection,

allowing each encounter to leave a lasting resonance.

As artworks and perspectives meet,

new ideas quietly begin to take shape,

and every experience becomes nourishment for creativity.

 

October unfolds a new chapter,

filled with anticipation and possibility.

New works, new encounters, new connections—

art continues to bring us together,

while inspiration keeps growing.

The next journey is quietly beginning.

HIYA past event

Zhou Dongming Solo Exhibition — Reconstructed Margins

HIYA member artist Zhou Dongming presented his solo exhibition Reconstructed Margins at the HIYA Exhibition Space from 3 to 30 September 2026.

 

Through the interplay of colour and line, the artist moves beyond the boundaries of figuration to explore new possibilities of visual order. Each brushstroke tests convention, while each field of colour captures a moment of emotion, inviting viewers to enter the work and engage with it through their own perceptions.

 

The exhibition was supported by HIYA’s Member Support Programme (Monthly Solo Exhibitions), an ongoing initiative providing member artists with opportunities to present their work and connect with audiences.

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HIYA past event

Stream of Sensation — Hong Kong Stream of Consciousness Group Exhibition

Marking the fifth anniversary of Hong Kong Stream of Consciousness, Stream of Sensation, organised by Chun Gallery, was held at the Anita Chan Lai-ling Gallery, Fringe Club, from 27 August to 10 September 2026. The exhibition featured nearly thirty new works by five artists, alongside the presentation of the movement’s art manifesto at the opening.

 

HIYA Vice Presidents Chun Fan and Manling Cheung, President Chantelle Huang, and member artist Zhou Dongming participated in the exhibition alongside cross-disciplinary artist Paul Wong. Together, their works reflected the creative development of Hong Kong Stream of Consciousness over the past five years. The movement approaches painting not as a reproduction of the visible world, but as a direct expression of inner consciousness and the wandering mind. A work’s completion is not its endpoint; its artistic life continues through the viewer’s perception, resonance, and dialogue.

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Through their distinct visual languages, the participating artists responded to the ideas of Stream of Consciousness, creating new connections between artwork and viewer through the act of seeing and experiencing.​

HIYA News

Hosokawa Lily Solo Exhibition — Drifting Drops, Fleeting Clouds: Art in Everyday Lives

HIYA’s Member Support Programme (Monthly Solo Exhibitions) continues this October with Drifting Drops, Fleeting Clouds: Art in Everyday Lives, a solo exhibition by artist Hosokawa Lily, on view at the HIYA Exhibition Space from 2 to 30 October 2026.

 

Drawing inspiration from subtle moments and imaginative encounters in everyday life, the exhibition brings together works shaped by the artist’s distinctive visual language. Fragments of daily life, figures, cityscapes, and whimsical imagery intertwine across the works, transforming seemingly ordinary moments into spaces for imagination and artistic discovery.

 

Supported by HIYA’s Member Support Programme (Monthly Solo Exhibitions), the exhibition forms part of the Association’s ongoing initiative to provide member artists with opportunities to present their work and engage with the public. Admission is free by reservation.

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HIYA News

Exhibition Preview | FREE FLOW
Stream of Consciousness × Heaven and Man as One

This November, the Hong Kong International Youth Artists Society presents FREE FLOW at the Hong Kong Central Library.

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Centred on “Stream of Consciousness × Heaven and Man as One,” the exhibition brings two artistic philosophies into dialogue—from the inner world of human consciousness to the relationship between artistic creation, nature and the universe.

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Stream of Consciousness allows perception, memory, emotion and thought to flow freely through the artwork, leaving its interpretation open to the viewer. Heaven and Man as One embraces an open creative process, allowing the natural movement of materials, chance and unexpected transformations to become part of the work itself.

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The title FREE FLOW reflects the state that emerges when these two ideas meet: freedom from predetermined forms and an open relationship between nature, artist, artwork and viewer.

Let consciousness flow freely. Let nature enter the creative process. Let the act of viewing remain open.

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We warmly invite you to join us this November and experience the encounter between the inner spirit and the natural world.

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Exhibition Dates | 11–15 November 2026

Opening Hours | 11–14 November, 10:30–19:00

       15 November, 10:30–16:00

Opening Ceremony | 12 November, 17:00–19:00

Venue | Exhibition Gallery 4–5, Hong Kong Central Library

   66 Causeway Road, Causeway Bay, Hong Kong

Free Admission

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Organizer | Hong Kong International Youth Artists Society

In Association With | Greater Bay Area Ink Concept Association

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Art World Information

Art Scene | AI Art in the Museum Sparks Artists’ Debate

In September 2026, the Madison Museum of Contemporary Art (MMoCA) presented Beeple’s Diffuse Control, an interactive installation combining generative AI, images from the museum’s collection, and audience participation.

 

The project sparked debate over consent, copyright, and artists’ rights, with an open letter attracting more than 900 signatures by 25 September. MMoCA stated that the collection images were either in the public domain or used with appropriate permission, and would not be added to public AI training datasets.

 

The controversy raises a timely question for the art world: as AI becomes part of artistic creation, where should the boundaries of authorship and artistic rights be drawn?

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Source of information​

Beeple, Diffuse Control, 2025, courtesy Beeple Studios

Knowledge Expansion

Knowledge Expansion | Quiz with Prizes

Did you know? One of the world’s earliest modern synthetic pigments was discovered by accident.

 

In the early 18th century, a German pigment maker accidentally produced an intense and remarkably stable blue while attempting to make a red pigment. The colour became known as Prussian Blue and later found its way into European and Japanese art.

 

Japanese ukiyo-e master Katsushika Hokusai famously made extensive use of the pigment, including in his iconic The Great Wave off Kanagawa.

 

Quiz: In which century was Prussian Blue first discovered?

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If you know the answer, please inform us via WhatsApp at 90621702!

Those who answer correctly will receive a exquisite gift from the association!

Art Column

Chantelle Huang | President of of HIYA

Pioneering Art in New York: The Multicultural Fusion of Firelei Báez

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Among the countless dazzling stars in the world of art galleries, Firelei Báez shines with a distinctive brilliance, captivating audiences and cementing her place as a widely recognized artist. Born in 1981 in Santiago, Dominican Republic, Báez was deeply influenced by the rich cultural heritage of her homeland. As she matured, she made New York—one of the world's foremost artistic hubs—her home, where she has since dedicated herself to relentless creative exploration.

Báez’s work carries profound cultural depth. She constructs intricate patterns, decorations, and gestures with vibrant colors, infusing them with Afro-Caribbean cultural symbols that serve as visual narratives of diverse cultural memories. Her meticulous selection of 17th- to 20th-century colonial maps and architectural plans as canvases for her paintings creates a unique artistic medium that seamlessly bridges historical weight with contemporary artistic expression. These pieces invite viewers to engage with the clash between history and modernity, allowing them to feel the lingering echoes of colonial history within each color and brushstroke.

In various international art exhibitions, Báez’s installation art consistently captivates audiences with its originality. Her installations defy traditional artistic constraints, featuring unconventional layouts, materials, and presentations that transcend conventional norms. When visitors step into these spaces, they are transported into an entirely new artistic dimension, one that reflects Báez’s worldview and offers a deeply immersive experience of her artistic interpretations.

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A defining moment in her career came in 2017, when she was awarded the Future Generation Art Prize, marking a pivotal milestone in her artistic journey. Báez is drawn to stories buried by time, voices forgotten by history, and narratives that have been overlooked. Through a diverse array of artistic forms—including portraiture and landscapes—she challenges the conventions of Western classical art. By reinterpreting Western artistic traditions from fresh perspectives, she introduces new dialogues that push the boundaries of contemporary art.

Báez’s art is not only unique but also a powerful medium for cultural preservation and resistance. Her work serves as a voice for marginalized histories and underrepresented cultures, offering a means for commemoration and reclamation. Every piece she creates is a testament to cultural storytelling, ensuring that the histories and identities hidden in the shadows are brought to light.Without a doubt, Báez’s artistic journey will continue to be driven by her unwavering passion and vision. Through her talent and dedication, she will undoubtedly produce even more extraordinary works, leaving an enduring and luminous mark on the history of art.

Member's Artworks

Chen Shu Chuan | HIYA Member

Black and White, Void and Substance_ I of IV

Medium: Oil and pencil on canvas
Size: 90×70cm
Year: 2026

The Hair-Strand Girl treasures her long hair, carefully combing it every day. She cherishes every strand she encounters, picking them up at any moment and weaving them into stories. Derived from the square prototype, this work narrates gently through black, white, and graffiti.

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HIYA supports various forms of artistic exchange. We welcome all members to submit and share their latest activities and works with us. Contributors will receive a exquisite gift from our association, and the works will also be promoted for free by the HIYA. Please stay tuned for more updates on our Hong Kong International Youth Artists Society's art events.

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 © Hong Kong International Youth Artists Society 

HKIYAS

Tel.:+852 9062 1702    
Email:Info@hkiyas.com
Office Address:Room 104, 1/F, Chung Ying Building,
20 Connaught Road West, Sheung Wan, Hong Kong

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HIYA Donation Account:

Recipient:Hong Kong International Youth Artists Society Limited
Account Number:Bank of China 012-643-2-006816-3

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