top of page
t019d36281b295bc59c.gif

February to March

The Art of February
Like a warm flame beneath a blanket of snow,
it merges the serenity of winter with the joy of celebration.

March Symbolizes Renewal and Rebirth
Through color and form,
artists convey the delight of spring and its endless possibilities.

HIYA Event

Embark on a Journey of Art and Philosophy | "Calligraphy & Art Course" Now Open for Enrollment

Instructor: Wong Pui Kong

Class Schedule: Saturdays, 11:00 AM - 12:30 PM

Location: Room 104, 1/F, Chung Ying Building, 20 Connaught Road West, Sheung Wan

This course offers a unique learning experience that blends artistic creation with profound philosophy. It takes participants on a journey through traditional and modern art, allowing you to explore the essence of Eastern wisdom while enhancing your artistic skills and expressive depth.

Whether you are an art enthusiast, designer, or professional calligrapher, this course will provide you with fresh perspectives and techniques, opening the door to limitless creative possibilities!

Enrollment is now open, but spaces are limited!

Members enjoy discounted rates!

For more details, visit: https://www.hkiyas.art/Calligraphyandartcourses
Or scan the QR code on the bottom right of the poster.

5ffd2f8fb085813d73e4b52622768f3.jpg
HIYA past event

"Ancient and Modern Wanderings: The Twin Tigers Take Flight" - A Dual Exhibition of Calligraphy, Painting, and Seal Engraving by Hung ChuenWa and Zhang Hua

Exhibition Period: January 1, 2025 - January 15, 2025 (9:00 AM - 6:00 PM) Venue: Ink Pavilion Art Space (No. 31, Fuguo Road, Shilin District, Taipei)

​​

This dual exhibition showcases the works of Mr. Hung ChuenWa (Art Advisor of HIYA) and Mr. Zhang Hua, spanning the realms of calligraphy, traditional Chinese painting, and seal engraving.

 

About Hung ChuenWa

Though not a professional calligrapher or seal carver by trade, his career in ancient artifacts immerses him daily in the study and restoration of bronze wares, bamboo slips, ancient inscriptions, and stone carvings. His work involves intricate tasks such as artifact restoration, authenticity verification, and valuation. Hung ChuenWa's seal engravings, crafted in the intricate bird-and-worm script, are spontaneously created on stone without preparatory sketches. The fluid and coiled designs of his seals never fail to inspire awe and admiration from viewers.

 

About Zhang Hua

 

(A master's graduate of the Chinese Painting and Calligraphy Department at Taiwan National University of Arts) Zhang Hua enjoys various forms of artistic creation. Quietly dedicated to his craft, he is not driven by fame or recognition. His works embody an honest simplicity, balancing maturity and imperfection with heartfelt sincerity. Though relatively young in Taiwan’s art scene, his creations carry a distinct and genuine charm.

1736508333929.jpg
Event Recommendations

Song of Hours Fled | GILLIAN AYRES SOLO EXHIBITION

Date: January 9, 2025 – February 15, 2025
Time: Tuesday to Saturday, 11:00 AM – 7:00 PM
Venue: 10/F, 80 Queen’s Road Central, Central, Hong Kong

Gillian Ayres (1930 - 2018) was an influential English painter renowned for her large, vividly colored abstract works and prints, characterized by thick layers of pigment that draw from diverse styles and movements. 

Ayres viewed abstract painting as a vital language reflecting the energy of the 20th century and its evolving relationship with nature and society. Rather than depicting figures or landscapes, she explored the materiality of painting, often placing the canvas on the ground to engage with the physicality of her work. This approach allowed her to experiment with shapes, colors, and textures that convey a spectrum of emotions.

Source of information

1736933099107.jpg
Event Recommendations

Defying Boundaries: Female Vision

Date: January 18, 2025 – March 8, 2025
Time: 11:00 AM – 7:00 PM (Tuesday to Saturday)
Venue: Karen Weber Gallery
Address: G/F, 20 Aberdeen Street, Central, Hong Kong

Around the globe, women artists are achieving increasing – and long overdue – visibility and recognition for their talent and creative practice. There are far more gallery and museum exhibitions dedicated to female creators than ever before. More work by women is entering museum collections, and their auction prices are rising.

The start of 2025 provides a great opportunity to showcase a small selection of the fantastic female talent at Karin Weber Gallery, all of whom are ‘Defying Boundaries’ through their creations and dedication to their artistic career, often in the face of significant adversity.

A particular highlight of this show is the participation of three arts practitioners from Myanmar. In a country not only struggling with ongoing civil war since 2021, women artists traditionally have a minority voice in the local arts communities. Soe Yu Nwe and Thynn Lei Nwe both completed their arts education abroad, in the USA and Singapore respectively, bringing new impressions and techniques back to their home country. Khin Thethtar Latt (Nora) remained local to her hometown Yangon; fertile ground for her multimedia practice which currently has a strong photography focus. Her figures, intentionally obscured with vibrant red faces, highlight the erasure of identity and individuality under oppressive regimes.

Source of information

1737698549189.jpg
1736933277350.jpg
Art World Information

AI-Assisted Artwork: Takashi Murakami's "Disappointment" in Handcrafted Creations

Takashi Murakami has long been known for his reinterpretations of classical Japanese art, revisiting masterpieces from Japan's rich artistic history. Recently, in his solo exhibition Japanese Art History à la Takashi Murakami in London, Murakami introduced a new twist: the use of AI technology.

A centerpiece of the exhibition is his reimagining of Rakuchū-Rakugai-zu Byobu (The Rakuchū-Rakugai Folding Screen) by Iwasa Matabei (1578–1650). Rakuchū-Rakugai-zu is a genre of Japanese historical genre painting from the Muromachi period, depicting the customs of Kyoto, Japan, with "Rakuchū" referring to Kyoto, derived from the Chinese city of Luoyang. Iwasa Matabei's masterpiece, a folding screen now considered a national treasure and housed in the Tokyo National Museum, depicts 2,500 figures, from nobility to commoners. The painting is viewed as a quintessential work, often regarded as the origin of ukiyo-e.

Murakami's reinterpretation of this iconic piece was first showcased in the Murakami Takashi: Spiritual Kyoto exhibition in Japan last July, incorporating AI to assist with the creation process, although the final work was meticulously completed by hand, revealing the artist's frustration and "disappointment" with the limitations of technology.

Knowledge Expansion

Knowledge Expansion | Quiz with Prizes

What techniques are traditionally used to create folk New Year paintings?

If you know the answer, please inform us via WhatsApp at 90621702!

Those who answer correctly will receive a exquisite gift from the association!

Art Column

Chantelle Huang | President of HIYA

A Rising Star in Hong Kong Art: The Unique Artistic Fusion of Tao Hoi Chuen

​​

On the culturally diverse and vibrant land of Hong Kong, a young artist is shining with his unique artistic brilliance—he is Tao Hoi Chuen (Jacky).

1737699126911.jpg

The first encounter with Tao’s work occurred by chance in a gallery, and it immediately captivated me. His style is highly distinctive and full of personal character, perfectly showcasing Hong Kong’s local culture in a profound way.

Born in Hong Kong in 1996, Tao has lived and created here ever since. He earned both his Bachelor's and Master's degrees in Fine Arts from The Chinese University of Hong Kong. During his academic years, he also studied and exchanged ideas in places like Beijing and Taiwan, continuously enriching his artistic experience. Tao is particularly skilled in fine brushwork and is deeply focused on exploring how to translate three-dimensional space and visual imagery into traditional linear graphic effects. Urban landscapes and horse racing are his favorite themes, and he often draws inspiration from traditional Chinese landscape painting's spatial composition. Through a flexible approach to structuring, he distorts and reorganizes different perspectives, using the concept of "composite space" to portray the depth of the world we live in—an idea that truly impresses.

What is even more astonishing is his bold integration of the Dunhuang murals’ expressive techniques into modern painting. This is not a simple juxtaposition, but a profound fusion. The ancient, mysterious charm of the Dunhuang murals is blended with Hong Kong elements, such as the iconic trams running through the city, creating an intricate interplay between the ancient and modern. This results in a unique artistic style that seems to open up a dialogue across time and space, allowing tradition and modernity to dance harmoniously within his artwork.

Tao’s numerous exhibitions, including the creative project "Racing in HK City" commissioned by the Sha Tin Racecourse and his exhibition at SC Gallery, have continuously showcased his unique artistic vision and solid craftsmanship. Tao Hoi Chuen is like a shining new star in the Hong Kong art scene, continuously writing his own brilliant chapter through his unique fusion of art. We eagerly anticipate seeing more of his impressive works in the future.

Member's Artworks

Yuho Chang | HIYA Member

Season Of Fall

Acrylic on canvas

120x50x4cm

2023

 

 

The inspiration for my series, The Poetry of Huangshan "The Season of Fall", came during my travels to The Yellow Mountain, in Anhui, China. Known as Huangshan, it’s one of the country's most famous mountain ranges. Huangshan’s ethereal landscape evokes tranquility and an indescribable vastness. Its breathtaking scenery has inspired many painters, including me. I was drawn to its rugged cliffs, sea of clouds, strange pines, and the seasonal changes. One look at Huangshan reveals why it's nature's masterpiece.

 

Having grown up in concrete jungles, I had never felt such tranquility as I did in Huangshan. City life’s hustle and bustle often overshadow our peace. While creating this series, I picture myself near a cliff, feeling the crisp air and overlooking the vast, cloud-covered mountains. This palpable feeling translates onto my canvases, aiming to capture the weightlessness and height through brush strokes and colors.

 

My Huangshan series reminds me of serenity. I hope it inspires people to see past their hardships and find beauty in the chaos of everyday life. Immersing in such beauty is essential, and I strive to reflect this in my art.

HIYA supports various forms of artistic exchange. We welcome all members to submit and share their latest activities and works with us. Contributors will receive a exquisite gift from our association, and the works will also be promoted for free by the HIYA. Please stay tuned for more updates on our Hong Kong International Youth Artists Society's art events.

t01d7c9f6dcf30532e5.gif

 © Hong Kong International Youth Artists Society 

HKIYAS

Tel.:+852 9062 1702    
Email:Info@hkiyas.com
Office Address:Room 104, 1/F, Chung Ying Building,
20 Connaught Road West, Sheung Wan, Hong Kong

  • Instagram
  • YouTube
  • Facebook

HIYA Donation Account:

Recipient:Hong Kong International Youth Artists Society Limited
Account Number:Nanyang Commercial Bank(043)494-001-52240

bottom of page